on the loom | beating in the hand spun wool weft, for a one of a kind, voluminous pullover blouse
on the loom | very special hand spun, hand dyed sumi ink wool as weft with hand dyed organic cotton as warp
stunning variations of green in the garden outside my weaving cottage
with all the stunning greenery around the North London area, I’ve become even more dedicated to blurring the exterior-interior spaces of my weaving cottage, filling it with dried herbs and flowers, wild green plants and letting the vines inch their way in through the open windows | this image is more studio interior inspiration
on the hunt for this 1st edition hardback | Henri Matisse The Early Years in Nice 1916-1930
on the hunt for this Art Enfantin No. 25, 1964 publication
sneak peek snapshot of a new handwoven, hand stitched garment for early Autumn, woven from hand dyed ramie and pure silk - reminds me of handmade fisherman’s netting
Autumn garment sneak peek | handwoven reversible pullover blouse, sumi dyed wool, cashmere, and cotton
May Reading | Selected Letters of Philip Larkin 1940-1985
Richard Tuttle’s cotton fiber and wire mesh works in “The Place in the Window”, Tomio Koyama Gallery Kyoto
Polly Apfelbaum, Feelies, 2010, plasticine and polymer clay
Tony Feher, Untitled (Red Bird, Jack and the Queen), 2007, spray paint, paper, aluminized non-stretch polyester rescue blanket, artist tape, synthetic strapping tape and metal crimps
Tony Feher, Untitled, 2007, perforated mylar snack bags, staples, transparent tape (via MM)
weaving to & thinking about my weekend at the Barbican, seeing the strikingly beautiful etudes for piano performed by Nico Muhly, Timo Andres, and Philip Glass himself
preparing Autumn garments | sample weave of hand dyed sumi ink cotton warp & handspun wool from Japan (to become a voluminous, one of a kind pullover blouse)
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